ABT’s Marcelo Gomes and David Hallberg Both of these dancers gave incredible, shooting star performances of Albrecht in ABT’s Giselle. Gomes didn’t simply act, he was the prince, dancing convincingly as if his life depended on it, pushing himself further than my already sky-high expectations—as deep and rich as ballet can get. Hallberg too pushed his physical limits and transcended technique to give a sublime rendering. Both took the very ordinary entrechat six and made it heartrending artistry. Pure alchemy. See them both during ABT’sNutcracker season at BAM. Also, keep an eye on the pure lines of Joseph Gorak.
De Kooning at MOMA This MOMA show connected the numerous dots in De Kooning’s storied career. It is what MOMA does best as the torch bearer of modernism, showing how De Kooning’s work swerved close to Pollock’s and other peers before breaking his own fresh tracks.
Histoire du Soldat/Lar Lubovitch I’ll say it once more: Lar Lubovitch is underrated for the pure craft of his gorgeous movement making. See: his inventive characterizations for Stravinsky’sHistoire du Soldat, at Galapagos with Le Train Bleu, and his two-program, star-studded run at Baryshnikov Arts Center.
Mark Morris at MMDG Morris keeps making gorgeous, inventive dances. His studio show was phenomenal.
New York City Ballet’s Tyler Angle, Tiler Peck, and the ravishing Sara Mearns, leading this suddenly young company.
James Samson and Eran Bugge, Paul Taylor Dance Company These two mid-tenure veterans have come into their own, or at least we can really see that they have as they’re getting big roles and work set on them. Samson is strong, steady, and has a wisdom that carries throughout his limbs. Bugge dances with a chocolaty richness and finesse. Catch them in March.
RSC’s travelling theater The highlight of the RSC’s summer residency at the Park Avenue Armory was without a doubt the theater-within-a-theater, a gigantic tinkertoy construction that thrust us into the action.
Silas Riener, Merce Cunningham Dance Company And capping off the list is Silas Riener’s solo in Split Sides at BAM, during the Cunningham Company’s Legacy Tour run. Crazy, daring, beyond human, like a kamikaze master yogi. The audience had no choice but to burst into applause.