|doug elkins choreography etc. Photo: Julieta Cervantes|
Doug Elkins' Scott, Queen of Marys (1994) is all precision moves and poses, with a kaleidoscope of influences from the highland fling, voguing, hip-hop, ballet, and ballroom. The eight dancers wear smart, form-fitting athletic gear (by Naoko Nagata) reminiscent of Star Trek (why don't others use of this type of gear more often?). Javier Ninja is the mysterious, fleeting central figure of the dance who makes a grand entrance by executing an elaborate Medusa's head of snaking hands and arms. The runway stomp binds this stylistic collage, which is delivered in a highly presentational, semi-confrontational attitude by the dancers to goad, or dare, you into liking it, which of course you do. And while Elkins' highly varied choreography may seem improvisational at moments, his bouncy phrases (to a score by Mio Morales) fit together like a precision machine.
|Vicky Shick and Dancers|
In the end, Everything felt like a word search in which I sought moments of logic, in contrast to Elkins' crisply engineered crossword puzzle.
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