|Guide, by Vera Ondrasikova|
April 19's program, curated by Laurie Uprichard (ex-director of Danspace Project), led off with Guide, by Czech native Vera Ondrasikova. The first eight rows of house seats were blocked off, presumably so the lasers and fog wouldn't bother audience members as much. The two elements combined to create some mesmerizing effects. Lighting technology has advanced so that light can be emitted in very precise shapes, and manipulated into planes that undulate, so when the light captures floating fog, it looks eerily like an ocean wave; or the beam can be shaped into a precise box, forming a pyramid around a performer. Two dancers, largely seen in silhouette due to the overall darkness, appeared to push the light, and also break the plane. It evoked some sort of sci-fi scenario about passing through a portal into a different realm.
|Pawel Sakowicz in Total, by Dawid Grzelak|
Another topic involved imagining one cell undertaking the basic range of bodily functions, delivered while doing a chain of poses on his knees, accelerating each time through. He polled us to see if we wanted to see him dance his own choreography (we did), which turned out to be a section by Merce Cunningham, most recognizable in bent torso stag leaps. Finally, he said that for himself, there is no virtuosity without an audience present. While I wished he would have danced more, his intellectual musings were certainly thought-provoking and performative in their own right, delivered with wry wit and charm.
A second program of V.4 is tonight, including Wow! by Debris Company (Slovakia) and Timothy and the Things: Your Mother at My Door, by Emese Cuhorka and Laszlo Fulop (Hungary).
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