Silas Riener, Michael Ingle, Oisin Monaghan in Poem. Photo: Ian Douglas |
New York Live Arts, Nov 27—Dec 1
- Two very different sections to which a third will eventually be added
- Secret Mary feels more akin to some of Tere's previous work: movement emanating from gestures, shaded with irony or facial expressions
- Less trained technique that feels accessible
- The dancers seem as if they have lots of secrets
- Poem feels more virtuosically technical in comparison, 40+ minutes of riveting movement, the five dancers doing ensemble variations, or split into 3s and 2s
- Silas Riener, Cunningham star, dances; his peerless technique frees him to play with any movement, time and space-wise
- Although all of the other dancers (Oisín Monaghan, Michael Ingle, Heather Olson, and Natalie Green) are superb in individual ways. O'Connor has always employed very talented dancers
- The costumes defy gender stereotyping, with Riener in a childlike "sunsuit" and Monaghan in a smock
- A men's trio of Busby Berkeley inspired radial formations shows off the mens' legs in a way more typical for women
- While O'Connor occasionally quotes from code, like ballet, he primarily invents or discovers vocabulary that's familiar, yet also completely independent
- I can't wait to see the entire three parts together when it's done.
Interior with Black Fern, 1948, oil on canvas, 116 x 89 cm. Fondation Beyeler, Riehen/Basel. c 2012 Succession H. Matisse/Artists Rights Society, NY |
Metropolitan Museum, Dec 4—Mar 17
- A stellar assemblage of wonderful Matisse paintings examining the process of painting a subject matter several times, thwarting the idea that Matisse did not carefully plan his compositions
- Includes series of photographs taken during the stages of creating paintings
- It also shows how Matisse was influenced by the work of his peers, notably Cézanne and Signac; several canvases show experiments with pointillism and Impressionist techniques
- There are a couple of paintings that are familiar, but many of these are fresh to New York eyes
- Matisse assembled compositions as much by blocking with color and pattern as with line
- The vibrant Interior with Black Fern (1948) and Acanthus (Moroccan Landscape) (1912), among others, shows his brilliance with color
- Includes loans from a wide range of museums such as Statens Museum for Kunst, Copenhagen, Kunstmuseum Basel, Centre Pompidou, and from private collections
- A thorough but not sprawling show of 49 paintings
- A shocking reminder that Matisse lived until 1954, really not that long ago!
Le Luxe II, 1907-08, distemper on canvas. 28.5 x 54.75". Statens Museum for Kunst, Copenhagen, J. Rump Collection. c 2012 Success H. Matisse/Artists Rights Society, NY |
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